There are three photographs in the exhibition that capture the subtle aspects of intimacy in a way that can only be described as a “Maier-esque”. Vivian Maier (American 1926-2009), New York, NY, July 27, 1954, ©Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY In my last visit through the exhibition, I found myself drawn to one particular aspect of Maier’s photography: relationships and intimacy. And as such, I have walked through Vivian Maier: Street Photographer many times, focusing on different photographs in each of my visits through the galleries. If only we take the time to look more closely.Īs an art history student and frequent exhibition visitor, I am a firm believer in visiting an exhibition more than once. But the one constant among all interpretations of Maier’s work is her ability to capture seemingly small, insignificant moments and make them into something universal and far more beautiful. Due to the fact that Vivian Maier never spoke about her work publicly, we are able to view her photographs using our own imagination, experiences, and opinions as a basis. “The secret nanny photographer” It is a phrase that has drawn so much attention to the work of photographer Vivian Maier, to the mystery of her life and art.
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